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#Pokkiri raja tamil movie 2015 rating series
Since no action was taken on the given complaint in 1993, the Marxist Communist Party staged a series of protests demanding a judicial inquiry pointing out that “Rajakannu was beaten to death (killed) during the police interrogation”. By seeking the help of Cuddalore Marxist Communist Party local body leaders, a complaint was raised about the missing people to the Deputy Superintendent of Police (DSP) and even to the district collector. Certainly, Parvathy doubted that the police had done something bad, and that had happened inside the Jail. But Parvathy (Rajakannu’s wife) was very sure that there was no chance to escape from the jail as they were severely injured and physically unable to escape. Then police warned them to inform police if the escaped men come back to their settlement.
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The very next day, the police personnel arrived at the tribal community and informed the family of the arrested men that Rajakannu and two of his companions had escaped from the jail.
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They all denied and Rajakannu was very severely tortured, beaten, and injured in the police attack. 107 of 1993 under sections 457 and 380 I.P.C – ), the tribal people were interrogated with severe torture in the police station.ĭuring interrogation, Rajakannu, his brother, sister, and brother-in-law were brutally tortured by the police to forcefully demand them to accept the crime of alleged police charges. As they returned from Gopalapuram, a gold theft happened there, and people of the village alleged the thieves were the people of the Kuravar community. In the March of 1993, the Kuravar community moved to Gopalapuram village near Kammapuram village as paddy field laborers. Later in the mid-90s, they began to work on the paddy field as laborers along with their traditional occupation. They also engage in hunting, rearing, and archery in their early times. The people of Muthanai village belong to the Kuravar tribal community, mostly engaged in knitting baskets, and have lived there since 1970. The entire film was inspired by a real incident that took place in Muthanai village near Kammapuram of Vridhachalam Taluk in Cuddalore district of Tamil Nadu in 1993. Jai Bhim: An untold story of 1993 Cuddalore lockup death case It also represents the role of dominant and intermediate power holders at the authoritarian level who enjoy a better condition by exploiting, victimizing, enacting, and exerting power and dominance over the oppressed and downtrodden sections of people. Right from the beginning of the film, the reality of casteism that exists in society was clearly manifested. Overall it portrays the system of social stratification, stigma, and social exclusion associated with Irulars and other marginalized communities around us. The film revolves around the arrest of Rajakannu (role played by Manikandan) and two of his companions named Mosakutty and Iruttappan. Followed by the custodial death of Rajakannu, the fight of his wife Senganni (role played Lijomol Jose) for the judicial justice for her husband’s lockup death with the help of Advocate Chandru (role played by Suriya) an anti-caste and pro-justice lawyer is the rest of the story. It is also loosely adapted from a real-life incident of three Irular (Scheduled Tribe) men who were arrested for an alleged theft case in 1995 is very clearly documented in the film. The film is a hard-hitting representation of the role of power domination unleashed over the oppressed and marginalized sections of people. It was released recently on Amazon Prime starring Suriya, Rajisha Vijayan, Manikandan, Lijomol Jose, and Prakash Raj in the major roles. Jai Bhim, set in 1995, is a courtroom drama and an investigative thriller directed by Tha. Exceptionally, Jai Bhim – the film we are going to discuss about, has portrayed both vile sides of police brutality happened to Rajakannu and violence as well as its judicial justice for this lockup death case at Cuddalore. Films like Saamy (2003), Khakha Khakha (2003), Pokkiri (2007), Singam (2010), Theri (2016), Nibunan (2017), Ayogya (2019), and Darbar (2020) showcase a glorified portrayal of various episodes of police brutality, encounters, and custodial deaths in big screens. In contemporary times, we have witnessed such plots in films like Oscar-nominated Visaranai (2015) directed by Vetrimaaran, Kaavalthurai ungal Nanban (2020) directed by Ranjith Manikandan, and recently Karnan (2021) directed by Mari Selvaraj. Apart from these recent films, there are other films from the last three decades which subtly showcase such ruthless police brutality and custodial death as popular, star-centric, and commercial films. Films based on police brutality and rampages are not new for Tamil cinema and its audiences.